50 Cent's The Massacre awash addition 329,000 copies this anniversary to abide its solid anchor on the top spot, according to Nielsen SoundScan. The Queens hip-hop superstar has now totaled 2.6 actor copies in just one month. In additional abode is the eighteenth chapter of the blockbuster hits alternation Now That's What I Call Music!, which confused 269,000 units.
The better admission this anniversary comes from Tijuana-born, San Diego-raised R&B artisan Frankie J, whose additional abandoned record, One, awash 130,000 copies to yield Number Three. This is a huge bound for the crooner, whose abandoned debut, 2003's What's a Man to Do?, came in at Fifty-three, with 20,000 copies sold. The added big aperture weeks aswell accord to Californians: Hard rockers Queens of the Stone Age's fourth album, Lullabies to Paralyze, hit the blueprint at Number 5 (97,000) and pop rockers Lifehouse's self-titled third anthology confused 63,000 units to yield Number Ten.
As Jack Johnson's third album, In Between Dreams, Kelly Clarkson's green CD, Breakaway, and the Killers' debut, Hot Fuss, captivated fast to the Top Ten (at Numbers Six, Seven and Eight, respectively), Gwen Stefani's abandoned debut, Love, Angel, Music, Baby, fabricated an abrupt improvement afterwards four months in stores, affairs 68,000 to jump eight spots to Number Nine.
Aswell of note: Nashville brilliant Trace Adkins' sixth album, Songs About Me, came in at Eleven (63,000), while the abandoned admission from above boy bandage affiliate (remember Dream Street?) and WB brilliant Jesse McCartney, Beautiful Soul, climbed fifteen spots in its additional anniversary to breach the Top Twenty (Fifteen, 57,000). Missy Elliott protege Tweet's additional album, It's Me Again, awash 55,000 copies to accessible at Number Seventeen -- a appreciably added easygoing admission than her aboriginal record, 2002's Southern Hummingbird, which confused added than three times as abounding copies in its aboriginal week.
Losing her mojo this anniversary was Jennifer Lopez. The pop diva's fourth flat album, Rebirth, has already fizzled out of the Top Ten in its fourth week, bottomward 5 spots to Number Twelve (60,000). And The Documentary, the admission from the Game, assuredly alone from sight, down nine spots to Number Fourteen (58,000). Ditto hot R&B newcomer John Legend, whose admission Get Lifted took a added affecting attempt afterwards three months in stores, from Nine to Twenty-one (48,000).
Much-hyped allotment that did not accomplish blueprint after-effects this anniversary came from Moby and Billy Idol. The cyberbanking crossover artist's double-disc Hotel awash alone 37,000 copies to admission at Number Twenty-eight, and the Eighties rocker's aboriginal anthology in twelve years, Devil's Playground, confused a simple 27,000 units to appear in at Forty-Six.
Next anniversary is genre-hopping adept Beck's adventitious to prove he can arbor up the numbers forth with the analytical acclaim, as his eighth album, Guero, hits stores. And admirers of Philly rapper Beanie Sigel, currently confined a one-year bastille appellation on a federal gun charge, will accept a attempt at assuming they haven't abandoned him by acrimonious up his third record, The B. Coming.
This week's Top Ten: 50 Cent's The Massacre; Now That's What I Call Music! Volume 18; Frankie J's One; Green Day's American Idiot; Queens of the Stone Age's Lullabies to Paralyze; Jack Johnson's In Between Dreams; Kelly Clarkson's Breakaway; the Killers' Hot Fuss; Gwen Stefani's Love, Angel, Music, Baby; Lifehouse's Lifehouse.
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